Revealing Insights
AI is rewriting the
entertainment industry.
I'm Andrew Rosen, founder of PARQOR. Through The Medium newsletter, I analyze how artificial intelligence, M&A, and shifting power dynamics are reshaping Hollywood, streaming, and content rights.
About Us
Covering the convergence of AI and entertainment
PARQOR serves C-suite and senior executives and investors with unique analysis about media's evolution. Our work focuses on the deals, strategies, and structural shifts that are redefining who owns, creates, and distributes content.
We write about Amazon, Disney, Netflix, Paramount, and the AI companies reshaping Hollywood—from vertical integration to content rights to the future of AI-generated media.
Our analysis has been cited by The Information, Variety, Deadline and Wired, among others.
Latest from The Medium
Recent analysis
Why "Internet Collaborative IP" Catapulted Two YouTubers Past Star Wars
A significant development for an emerging generation of generative AI creators who have—and have not—built communities....
The New Vertical Integration: How Amazon, Google and Paramount + Oracle Are Rewriting the Paramount Decrees
In post- Paramount Decrees Hollywood, vertical integration is emerging with AI and cloud infrastructure instead of theater chains....
Two Amazon AI Original Series Deals Went Wrong in 48 Hours. Here's Why They Matter.
What went wrong for director Jorge Gutierrez and creator Loryn Brantz reveals who wins and loses when tech companies and studios start buying up AI rights....
YouTube Figured Out How to Spot AI Videos. Monetizing Them Is Someone Else's Problem.
Inside the gap between detection and compensation—and who's betting they can close it first....
Hollywood Just Drew a Line in the Sand on AI Actors... which Bollywood Already Crossed.
What the new SAG-AFTRA deal actually says—and why the real test is when anyone enforces it....
From PARQOR
Accorde AI Studios
Trust infrastructure for AI in Hollywood. A neutral governance lab helping studios, guilds, and creative workers find AI use cases that are contract-compliant, talent-acceptable, and publicly defensible.
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